How many dichotomies do you see?
Category Archives: Abstract Photos
Beauty of the mundane
Inherent like the color of eyes, beauty hides tucked away in every scene, every small and large vista.
Move slowly enough with eyes attentive and beauty of the mundane leaps out like caged beasts set free.
On a single blade of grass dwell whole worlds made of rain.
A windy day. Choppy water. A fallen tree. Aquatic plants. The dance of weak light from a party cloudy sky.
I stood mesmerized by wave after wave crashing against this log, the dichotomy of still water on one side and unsettled water on the other, enraptured of the sounds made by winds dancing about me as they pushed the lake to and fro, each breaker singing its own song as it ran headlong toward shore and did battle with every obstacle in its way.
Music heard and seen and felt permeated that time, that bit of shoreline upon which I stood. I felt lucky to have witnessed it in all its glory.
The rural road that winds its way through the Piney Woods toward the family farm. At the right times—especially dawn and dusk—this tiny lane becomes otherworldly. Trees and brush close in from both sides, weak sunlight struggles to dance through the foliage, and a tiny, obscure one-lane road slithers through it on a journey into the heart of nature.
Times exist when all I want is to be still, stoic, serene, unyielding in the face of too much activity, unflinching in response to so many demands. This often makes me think of what might be necessary to resist so much emotional and psychological carnage: make me a stone, a rock, an unmoving and unmoved thing that can resist the woes of the world. How often I ponder what such calm might be like…
Sunrise at White Rock Lake. Crepuscular rays stream through verdant woodlands and illuminate the beauty surrounding my favorite footbridge in this urban escape.
Bridge to Neverland
It began with a bridge that spanned a sea that separated real from imaginary.
It began with a barren tree on a barren shore on a barren canvas of fantasy.
It began with creatures who guarded the sky who guarded the land of make-believe.
It began with boats lost on a sea lost in a world lost between light and shadow.
It began with a bridge, and that is where it ended: the Bridge to Neverland.
I walked that bridge and disappeared into the magical realm hidden by the fog, a world where the heavens met the earth.
Too sensitive to live in this world
As this CNN article points out, “[e]xperts say mental illness does not necessarily cause creativity, nor does creativity necessarily contribute to mental illness, but a certain ruminating personality type may contribute to both mental health issues and art.”
Hardly would I be so bold as to call myself an artist. But ruminating?
“Sensitivity to one’s surroundings is also associated with both creativity and depression, according to some experts.”
I have suffered with depression—manic and accute—since I can remember, since long before I ventured out into life on my own, since long before my family ever knew me as more than just one of the children, one of Jr.’s kids, one of the Hogle clan. It had something to do with being gay, I felt, yet its claws dug much deeper than that, its venomous breath reaching to depths I scarcely knew existed.
“Some have pointed out that being engaged in creative pursuits makes a person more open to experience, while others say the pressure of being engaged in the arts causes negative emotion…”
Always did I pay attention to that which so many left unnoticed; always did I ponder that which too many left unconsidered. A curse? Perhaps.
“‘Creative people in the arts must develop a deep sensitivity to their surroundings — colors, sounds, and emotions,’ says Mihaly Csikszentmihalyi, professor of psychology and management at Claremont Graduate University in Claremont, California. Such hypersensitivity can lead people to worry about things that other people don’t worry about as much, he said, and can lead to depression.”
Certainly I’ve been accused of paying too much attention to things that a majority ignore. In fact, I’ve been told I notice more by orders of magnitude than others who stray within the same spaces I often haunt.
“‘The arts are more dangerous [than other professions] because they require sensitivity to a large extent,’ [Csikszentmihalyi] said. ‘If you go too far you can pay a price — you can be too sensitive to live in this world.'”
Am I so inclined as to be oversensitive? Am I too observant as to be a burden upon those around me with my constant noticing, my constant feeling?
And is this the cause of my dreadful sense of doom that vexes me at every turn?
Am I just too sensitive?
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Photos:
[1] A pair of fox squirrels (Sciurus niger) enjoying a bit of breakfast.
[2] Heavy dew on a blade of grass, each droplet dazzling like a jewel in the morning sunlight.
[3] A pleated inkcap (a.k.a. fairy parasol, little Japanese umbrella or Japanese umbrella inky; Parasola plicatilis [formerly Coprinus plicatilis]) not yet mature yet facing its demise under the blanket of hot sunshine.
[4] Empty swings in soft focus and morning light, the scene left just as I found it on a hot and humid day when early morning felt as stifling as late afternoon.
[5] A captivating fence made of unprepared timber and barbed wire stretching around a pasture that holds nothing more than hay bales.
Adrift
Sometimes I don’t know if I’m coming or going. Sometimes I feel as though I have no control over where I’m heading.
Sometimes I believe someone else is at the helm of my life.
These times pass. They always do.
I’ve learned after nearly forty years that the most important thing to remember is that I must keep going.
All things end, including the bad times. It’s up to us to seize opportunity as soon as it arrives, especially if we ever hope to be in control again.