Category Archives: Nature Photos

You can’t see me

While standing outside yesterday basking in the warmth of the afternoon sun, something I have been unable to do for nearly ten days because of The Plague, I chanced upon a green anole (Anolis carolinensis) hiding in the space between the patio fence and the wall.  You might remember I’ve seen them there before, but this time was different.  Unlike the last episode when I discovered them there, yesterday’s encounter revealed a new facet of where they hide.  This one was not out in the open space like the last one; instead, it was almost completely concealed between the fence post and wall.  There is sufficient crawl space there for small creatures, and I now suspect it serves as shelter for many of the anoles.  It probably also serves as housing for the Mediterranean geckos (a.k.a. house gecko; Hemidactylus turcicus) I see around the patio (not to mention in the house).

I at first didn’t realize it was an anole when I saw it.  Look at this fist picture and you’ll understand why.

A green anole (Anolis carolinensis) peeking out from a space between the patio fence post and the wall (162_6260)

As you can see, it’s light underbelly is facing outward, and that made it appear on first glance like nothing more than some kind of debris—a twig or dead leaf, perhaps, or something caught in a spider web.  Only upon closer inspection did I realize what it was.  Thankfully, the little guy or girl sat quite still and allowed me to snap several photographs.

A green anole (Anolis carolinensis) peeking out from a space between the patio fence post and the wall (162_6256)

Even as I moved about and pushed the camera ever closer to the little monster, it never moved.  I eventually leaned quite close to look at it and realized it was indeed following my movements with its one visible eye, yet at no point did it see me as enough of a threat to warrant escape.  I suspect it really did feel as though I could not see it—or it didn’t care if I did see it.

A green anole (Anolis carolinensis) peeking out from a space between the patio fence post and the wall (162_6257)

Once I’d snapped enough pictures to feel I had some I could work with, I left the camouflaged beast to its business.

Waxing gibbous

Like the tree posted earlier, I also toyed with photographing the moon using My New Skillz.  Well, I mean using the mode that lets me control the shutter speed and, therefore, how much light it pulls in.  Anyway, as my New Year’s parting post, here are two photos of the last moon of the year.

I don’t know why the first one came out tinted like it is, but it sure made for a purty color.  Actually, this one was taken without any digital zoom and I suspect the distance from the target skewed it somehow… but I’m guessing.

The waxing gibbous moon (161_6160)

The second photo is color-corrected.  It was taken using the digital zoom, and then it was reduced in size to clarify the digital zoom fuzziness.  It’s because this one came out looking normal that I suspect the lack of digital zoom on the first one resulted in the soft violet hue.

The waxing gibbous moon (161_6152)

I’m quite proud of that little camera.  It did a damn fine job taking pictures of the moon.  I’m impressed because it wasn’t hooked up to the telescope.  I can’t wait until I get a new one and start doing that, however, since the combination will provide very different results from these tawdry experiments.  Still, I can’t complain.

Midnight in the garden of good and evil

Remember when I said earlier this month that I was still learning how to use my camera despite having it for three years?  Well, the photos below were taken last night after I learned yet another new trick that my scene-capturing Canon is capable of: taking photos in the dark without the flash, all while letting me control precisely how much light it will snare for the photograph by manually setting the shutter speed.  This was the first time I’d intentionally used this particular setting.  You might remember I’d played with it before when taking the fourth picture shown in this post, although that experiment was more accidental than intentional—and I never went back to determine precisely how I did what I did, at least until now.

Using this particular mode and changing the shutter speed, I’m able to capture movement in bright light (for instance, catching a natural-light setting with a still background centered on flowing water) or stillness in low light.  After rediscovering the setting yesterday evening, I tinkered with it for about an hour as I experimented both inside and outside.  I found the mode far more versatile than the automated “natural light” mode that allows the camera to attempt the best shutter and aperture values for the environment.  That setting works great under certain circumstances, but the other setting gives me more control and let’s me take photos that the automated setting would royally screw up.

The images below are of the tree right outside my patio.  It’s illuminated by a security light approximately 100 feet away (give or take; my sense of distance is as messed up as the rest of me at the moment).  The first one is a bit blurry due to me coughing in the middle of it.  With the shutter speed set at its lowest, any movement is translated into the picture.  Oh well.

The trunks of the tree outside my patio photographed in natural light in the dark (161_6167)

The second photo was taken from a slightly different angle.  Also, it lacks the cough element.

The trunks of the tree outside my patio photographed in natural light in the dark (161_6165)

As I’ve said before, I’m learning all over again how much I love my camera.  It’s amazing how much enjoyment I get out of it… especially after reading the manual for the first time, albeit three years later, and learning what it’s capable of and how it can be used to capture all sorts of things I’d never considered before.  I’ll never be a professional photographer and have no intention of even trying, but I do love taking pictures and rather enjoy the versatility it offers.  The one thing it can’t do is connect to my telescope, so eventually I have to buy a new one anyway, but in the meantime this one serves me well and will be kept as long as it’s functioning.  Even if it’s not the most powerful one on the planet, and even if it can’t hook up for astronomy photos, it’s small, easy to handle, full of versatile functions, and powerful enough for everyday use.

Finally, as for the title of this post, if you’ve never seen the movie Midnight in the Garden of Good and Evil, I can’t recommend it enough.  It’s a most excellent film.  With both John Cusack and Kevin Spacey, two of my favorite actors, I would have watched it no matter what it was about, but this movie is breathtakingly enticing.  It’s a fantastic story of southern decadence, high society, crime, and secrets in Savannah, Georgia (I’ve been there and loved the place, and this movie made me feel like I was back there again).  Don’t expect action and adventure.  It’s a slow drama that unfolds meticulously and beautifully.  Again, if you’ve not seen it, rent it today.

The Still Watchers

The Still Watchers.  What majestic creatures they are.  But not creatures so much, at least not in the sense humans are capable of understanding.  For you see, they are gods… observers whose every gaze is omnifold and whose individual lives are countless and ageless… gods unlike any we have ever imagined before.  One such deity of awesome might stands powerfully near the shore and casts its contemplative stare across the land and water with equal scrutiny.  Its dominion stretches across the vastness of space and beyond, and from before time until after time.

When one sets eyes upon the ancient soul, one is filled with a sense of wonder.  “How many centuries have you stood there?” one wishes to ask, yet one would be foolish to think gods obligated to mortal curiosity.  They are not.  One need only ponder the existence of such spirits to realize how little is known… how little can be known.

Sculpted by wind and rain and time only insofar as it desires to be sculpted, it stands near the perimeter of the lake, its skin cracked with age, its limbs bent and reaching for that which cannot be seen by human eyes.  It is shaped like a soul if one can even visualize what such a thing might look like.

Waiting silently in a shell hewn by its will from the substance of the universe, the Still Watcher stands beckoning with a soundless voice for life to dance before its hungry eyes.  Party to a heritage beyond any physical limits or considerations, it’s companion to all, greeting with branches held in open welcome.  Immovable unless it so chooses, all inhabitants of this sphere stand small before its essence.

It lives there where it has stood for centuries, known to the original inhabitants of the land before ships sailed over the eastern horizon to make landfall in a new world.  Bending and flowing with the seasons, dancing among the elements, it begs neither for worship nor sacrifice.  All it wishes is to know, to learn, to watch.  Question the methodology if you must since one cannot help but be surprised that gods want to observe.  The reasons lie beyond corporeal wisdom.  Nevertheless, were one to guess, it seems almost within humanity’s grasp to see the value in experience over raw knowledge.  Yet even that is foolish conjecture.

Rejuvenated year after year, its effortless endurance in the face of nature’s fury is testament to more than can be known.  Mindful and serene in all things, the Still Watcher lives on even as life rises and falls in its shadow.  To taste such wisdom but once…  To feel such potency of mind in even the briefest of ways…

My favorite tree on a cloudy, blustery day, with the lake in the background (158_5869)

“Be silent or be gone,” its leaves whispered through a gentle breeze.

The young Kä’dohädä’cho warrior sheepishly replied, “Forgive me, Ayimat Caddi.  I meant no disrespect.”

“Be silent, Bin’-tah,” it said vehemently as limbs rattled above his head, “for I ask but one simple gift of you in trade for my company and protection: tranquility.”

A brief smile crossed his painted face as he looked up from his perch against the ancient soul’s trunk, its breathing a low murmur echoed on the wind and felt in the ground.  He nodded slightly in acquiescence before lowering his gaze once again to the bow resting on his crossed legs.  He had not meant to upset the Great Spirit when he spoke, and he felt a tinge of shame at the interruption he obviously had caused.  His people felt blessed by Ayimat Caddi, the god of creation who dwelled in the trees and silently provided all they needed.  The Caddo tribes knew much about the spirits of the forest, yet they came to understand this one tree better than the rest.  The Great Spirit dwelled in nature’s many manifestations, but it spoke to them most often from a single tree hidden within vast woodlands.  Bin’-tah had befriended it as a child and he swore to Ayimat Caddi that he would never reveal their conversations.

His embarrassment flushed into his face as he wondered if he would ever have the opportunity to ask the question burning his lips.  For many years he had visited that spot, sat beneath the growing tree, and dwelled in harmony with a being of such great power that it could be felt long distances away.  Throughout their long-lasting communion, Bin’-tah always had referred to the tree as Ayimat Caddi, the Great Spirit and one true god above all the others who inhabited the heavens and the world.  Despite his respect and reverence, the tree had told him many times that he should not call it by that name for it described a being other than itself.  Nevertheless, he had seen on a few occasions the great power held by the tree and could think of no other god capable of wielding omnipotent control of the earth.  If it was not Ayimat Caddi, the warrior did not comprehend what else it could be.  As his eyes wandered the ground upon which he sat, he wondered why a spirit as old as time seemed to have no patience for his bumbling human ways despite the investment of time it had already given him.

“Young one, you misunderstand me.”

The response frightened him for he had not spoken aloud his thoughts.  He leaned back and looked up into the reaching arms of a timeless behemoth.  Wisdom fell from it like leaves in autumn winds, and he would be foolish to ignore its counsel.  “Pray continue, kind tree.”

“It need not be said for one as old as I to hear.  We are Still Watchers, observers of life and shepherds of history, and we are the possessors of stories lost with those who came before.  You do not understand for your fledgling race is as yet too youthful for such enlightenment.  Ancient long before your world came into being, you cannot hope to contain that which we contain, at least not yet.  In time, you will grow.  With your progeny generations removed from this moment, perhaps we will share life’s secrets.  But not now.”

[these are random tidbits from End of the Warm Season; although the manuscript is still infantile as my focus remains intently fixed on Dreamdarkers, these two stream-of-consciousness brain dumps happened a month or two ago; I’ve not cleaned it up at all and know they need a lot of work]